Alex Talks About Toronto’s Real Feelings Towards Drake

Toronto is such an odd city; it is a place full of haters masequerading as something else (not everyone ofcoarse). I am convinced that it is a self esteem issue that some members of the city are facing and simply can’t admit. We’ve been given the name “screwface capital”, and not necessarily because of the hoodlums, but because of the regular folk who are extremely critical of others. Now this can be a good and bad thing: good because it pushes artists to be stronger and strive for more; however the negative is it tears them down. In Toronto we constantly struggle to define our identity, and because we don’t like our own skin, it makes it very difficult for us to realize talent in our own backyard.
Personally, I’m a very critical person and I try to be as honest as possible because there’s no point in giving somebody hope only to get shot down by someone else. I don’t believe in simply supporting an artist, if a person is talented I will naturally be a fan and support will be a normal reaction. This is why many people trust my opinion; I tell it like it is!
This brings me to my personal experience with Drake. My first musical encounter, like many others, was his first big hit “City Is Mine”. I liked it but when I heard him rhyme over one of my favourite songs – Closer – I was sold. I would preach to other TOers about this new rapper, but to my surprise many knew of Drake already. I would often get, “ isn’t that the wheelchair dude from Degrassi?” The odd thing about this was that people had mainly negative opinions about him (ie: he’s alright, he’s soft, etc.) which I found a bit troubling because it was almost like they disapproved Drake before they gave him a chance to show what he can do.
My first real encounter with Drake was at a Toronto event held by his crew (ATF). We had a few words and he seemed like a pretty down to earth, humble type of dude. The night progressed, and during one of the sets, he came on the mic to spit a couple bars, but to my disbelief the crowd was actually booing him, and it was a pretty big event.
Fast forward to today and many TO’ers are in an odd position. Some still find it hard to fully accept Drake’s success, and the ones who are now on the bandwagon are secretly hoping for a downfall. It’s funny how Toronto works; for you to be successful in this city you NEED to be successful and recognized somewhere else. This is the basis behind Toronto’s identity complex. Drake understood this; it’s clear in his mixtape titled “So Far Gone”, which implies that he is so far gone from the rest in the city. Drake said it himself, he wasn’t aware he had fans in Toronto until he held a show during his mini tour. When you ask a TO’er today about their opinions on Drake, they’ll try to hold enthusiasm at bay for the fear of sounding like a groupie. (ie: he’s pretty good I guess)
No offense to New York or LA, but based on the amount of critics in the city, if you can make it in Toronto, you can make it everywhere.
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I disagree with some of the statements made here. Toronto is a city of diversity. It would be foolish to think that by virtue of us living in Toronto, that we would all have the same musical tastes. Not everyone’s opinion of Drake or his music, have anything to do with him as an individual.
How would this article be different, if say, it was about Saukrates, or Kardinal? If it was about Tona, or Shad K – would all the issues that pertain to Drake be the same? No, not necessarily. It’s a complex tangled web of things going on in our city. Drake and what has happened with his uprising, does not define our diverse city. Everyone is different here. Not everyone likes or dislikes, rejects or embraces local artists, for the same reason.
We have to keep in mind, Toronto is a city with a larger population than most. Many people from Toronto have had success in the music business. Just not the urban music that comes from here. Do we remember when Glenn Lewis was on the brink of huge success, in the U.S. with his push as an R&B artist? He was quite potentially benefiting from an even bigger buzz than Drake had at the time, considering he was not an actor, had no track record, or any local following at his advantage. All he had was a huge song called “Don’t You Forget It”. Toronto did nothing in the way of supporting him around that time. The issues go a lot deeper than anything having to do with Drake. I am not sure I appreciate Drake’s issues being used to define Torontonians, or our urban music ‘industry’. There are a lot of issues deep within the fabric of Toronto music, the culture, and the people – politics which prevent a lot of music being embraced.
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